Latest
Turbulent Indigo - Mystic Glaze
WC-110 Turbulent Indigo Mystic Cone 5 Brush on Glaze
Semi-opaque glaze in the Laguna Cone 5 Mystic Series.
Laguna recommends testing their glazes on test tile with your clay body before use in art or production.Photographic reproductions differ from actual colors
Laguna recommends testing their glazes on test tile with your clay body before use in art or production.
Translucent Mint Crystal Blossom Mid-Range Glaze
Laguna WC-165 Translucent Mint Glaze (1 pint) Cone 5 Crystal Blossom, Brush on Glaze
Semi-opaque glaze in the Laguna Cone 5 Crystal Blossom Glaze Series.
Laguna recommends testing their glazes on test tile with your clay body before use in art or production. Photographic reproductions differ from actual colors.
Crystalline Glaze Firing Schedule
There is no such thing as a foolproof firing schedule for crystalline glazes, but here is a good place to start for Cone 5:
Segment Rate Temp. Hold 1 250ÃÂð/hour 1250ÃÂðF 0 2 350ÃÂð/hour 2140ÃÂðF 0 3 25ÃÂð/hour 2165ÃÂðF 0 4 9999 setting 1950ÃÂðF 3 hrs.
Laguna recommends testing their glazes on test tile with your clay body before use in art or production. Photographic reproductions differ from actual colors.
Laguna recommends testing their glazes on test tile with your clay body before use in art or production.
There is no such thing as a foolproof firing schedule for crystalline glazes, but here is a good place to start for Cone 5:
Segment | Rate | Temp. | Hold | |||
1 | 250ÃÂð/hour | 1250ÃÂðF | 0 | |||
2 | 350ÃÂð/hour | 2140ÃÂðF | 0 | |||
3 | 25ÃÂð/hour | 2165ÃÂðF | 0 | |||
4 | 9999 setting | 1950ÃÂðF | 3 hrs. |
Laguna recommends testing their glazes on test tile with your clay body before use in art or production. Photographic reproductions differ from actual colors.
Translucent Cream - Mystic Glaze
WC-103 Translucent Cream Mystic Cone 5 Brush on Glaze
Semi-opaque glaze in the Laguna Cone 5 Mystic Series. This is the base glaze for this series â add your choice of stains or oxides to create your own unique color.
Laguna recommends testing their glazes on test tile with your clay body before use in art or production.Photographic reproductions differ from actual colors.
Laguna recommends testing their glazes on test tile with your clay body before use in art or production.
Sunflower Yellow - Moroccan Sand Glaze (O)
MS-64 Sunflower Yellow Moroccan Sand Cone 5 Brush on Glaze
Opaque glaze in the Laguna Cone 5 Moroccan Sand Series.
Laguna recommends testing their glazes on test tile with your clay body before use in art or production. Photographic reproductions differ from actual colors.
Laguna recommends testing their glazes on test tile with your clay body before use in art or production.
Stormy Blue-Gray - Mystic Glaze
WC-109 Stormy Blue-Gray Mystic Cone 5 Brush on Glaze
Semi-opaque glaze in the Laguna Cone 5 Mystic Series.
Laguna recommends testing their glazes on test tile with your clay body before use in art or production.Photographic reproductions differ from actual colors
Laguna recommends testing their glazes on test tile with your clay body before use in art or production.
Spotted Blue - Mystic Glaze
WC-111 Spotted Blue Mystic Cone 5 Brush on Glaze
Semi-opaque glaze in the Laguna Cone 5 Mystic Series.
Laguna recommends testing their glazes on test tile with your clay body before use in art or production.Photographic reproductions differ from actual colors
Laguna recommends testing their glazes on test tile with your clay body before use in art or production.
Speckled Moss - Moroccan Sand Glaze (O)
MS-42 Speckled Moss Moroccan Sand Cone 5 Brush on Glaze
Opaque glaze in the Laguna Cone 5 Moroccan Sand Series.
Laguna recommends testing their glazes on test tile with your clay body before use in art or production. Photographic reproductions differ from actual colors.
Laguna recommends testing their glazes on test tile with your clay body before use in art or production.
Snow Flake - Moroccan Sand Glaze (S)
MS-26 Snow Flake Moroccan Sand Cone 5 Brush on Glaze
Satin glaze in the Laguna Cone 5 Moroccan Sand Series.
Laguna recommends testing their glazes on test tile with your clay body before use in art or production. Photographic reproductions differ from actual colors.
Laguna recommends testing their glazes on test tile with your clay body before use in art or production.
Skye Crackle Mid-Range Glaze
Laguna WC-137 Skye Crackle Glaze (1 pint) Cone 5 Crackle Brush on Glaze
Transparent glaze in the Laguna Cone 5 Crackle Glaze Series
Laguna recommends testing their glazes on test tile with your clay body before use in art or production. Photographic reproductions differ from actual colors.
Laguna recommends testing their glazes on test tile with your clay body before use in art or production.
Sky Blue - Moroccan Sand Glaze (O)
MS-82 Sky Blue Moroccan Sand Cone 5 Brush on Glaze
Opaque glaze in the Laguna Cone 5 Moroccan Sand Series.
Laguna recommends testing their glazes on test tile with your clay body before use in art or production.Photographic reproductions differ from actual colors.
Laguna recommends testing their glazes on test tile with your clay body before use in art or production.
Semi-Clear Matte Moroccan Sand Glaze
MS-67 Semi-Clear Matte Moroccan Sand Cone 5 Brush on Glaze
Matte glaze in the Laguna Cone 5 Moroccan Sand Series.
Laguna recommends testing their glazes on test tile with your clay body before use in art or production.Photographic reproductions differ from actual colors.
Laguna recommends testing their glazes on test tile with your clay body before use in art or production.
Sandy Moroccan Sand Glaze (M)
MS-09 Sandy Moroccan Sand Cone 5 Brush on Glaze (Matte)
16-ounce, pint sized container
Matte glaze in the Laguna Cone 5 Moroccan Sand Series.
Laguna recommends testing their glazes on test tile with your clay body before use in art or production. Photographic reproductions differ from actual colors.
Laguna recommends testing their glazes on test tile with your clay body before use in art or production.
Royal Blue - Moroccan Sand Glaze (O)
MS-20 Royal Blue Moroccan Sand Cone 5 Brush on Glaze
Opaque glaze in the Laguna Cone 5 Moroccan Sand Series.
Laguna recommends testing their glazes on test tile with your clay body before use in art or production.Photographic reproductions differ from actual colors.
Laguna recommends testing their glazes on test tile with your clay body before use in art or production.
Redwood Moroccan Sand Glaze (M)
MS-12 Redwood Moroccan Sand Cone 5 Brush on Glaze (Matte)
16-ounce, pint sized container
Matte glaze in the Laguna Cone 5 Moroccan Sand Series.
Laguna recommends testing their glazes on test tile with your clay body before use in art or production. Photographic reproductions differ from actual colors.
Laguna recommends testing their glazes on test tile with your clay body before use in art or production.
Power Turquoise - Mystic Glaze
WC-108 Power Turquoise Mystic Cone 5 Brush on Glaze
Semi-opaque glaze in the Laguna Cone 5 Mystic Series.
Laguna recommends testing their glazes on test tile with your clay body before use in art or production.Photographic reproductions differ from actual colors
Laguna recommends testing their glazes on test tile with your clay body before use in art or production.
Plum Blossom Green Crystal Blossom Mid-Range Glaze
Laguna WC-167 Plum Blossom Green Glaze (1 pint) Cone 5 Crystal Blossom, Brush on Glaze
Semi-opaque glaze in the Laguna Cone 5 Crystal Blossom Glaze Series.
Laguna recommends testing their glazes on test tile with your clay body before use in art or production. Photographic reproductions differ from actual colors.
Crystalline Glaze Firing Schedule
There is no such thing as a foolproof firing schedule for crystalline glazes, but here is a good place to start for Cone 5:
Segment Rate Temp. Hold 1 250ÃÂð/hour 1250ÃÂðF 0 2 350ÃÂð/hour 2140ÃÂðF 0 3 25ÃÂð/hour 2165ÃÂðF 0 4 9999 setting 1950ÃÂðF 3 hrs.
Laguna recommends testing their glazes on test tile with your clay body before use in art or production. Photographic reproductions differ from actual colors.
Laguna recommends testing their glazes on test tile with your clay body before use in art or production.
There is no such thing as a foolproof firing schedule for crystalline glazes, but here is a good place to start for Cone 5:
Segment | Rate | Temp. | Hold | |||
1 | 250ÃÂð/hour | 1250ÃÂðF | 0 | |||
2 | 350ÃÂð/hour | 2140ÃÂðF | 0 | |||
3 | 25ÃÂð/hour | 2165ÃÂðF | 0 | |||
4 | 9999 setting | 1950ÃÂðF | 3 hrs. |
Laguna recommends testing their glazes on test tile with your clay body before use in art or production. Photographic reproductions differ from actual colors.
Pippen Green - Moroccan Sand Glaze (S)
MS-51 Pippen Green Moroccan Sand Cone 5 Brush on Glaze
Satin glaze in the Laguna Cone 5 Moroccan Sand Series.
Laguna recommends testing their glazes on test tile with your clay body before use in art or production. Photographic reproductions differ from actual colors.
Laguna recommends testing their glazes on test tile with your clay body before use in art or production.
Pink Ice - Mystic Glaze
WC-102 Pink Ice Mystic Cone 5 Brush on Glaze
Semi-opaque glaze in the Laguna Cone 5 Mystic Series.
Laguna recommends testing their glazes on test tile with your clay body before use in art or production.Photographic reproductions differ from actual colors
Laguna recommends testing their glazes on test tile with your clay body before use in art or production.
Peacock-2 Moroccan Sand Glaze (T)
MS-95 Peacock-2 Moroccan Sand Cone 5 Brush on Glaze
Transparent glaze in the Laguna Cone 5 Moroccan Sand Series.
Laguna recommends testing their glazes on test tile with your clay body before use in art or production.Photographic reproductions differ from actual colors.
Laguna recommends testing their glazes on test tile with your clay body before use in art or production.
Peacock Moroccan Sand Glaze (T)
MS-27 Peacock Moroccan Sand Cone 5 Brush on Glaze
Transparent glaze in the Laguna Cone 5 Moroccan Sand Series.
Laguna recommends testing their glazes on test tile with your clay body before use in art or production.Photographic reproductions differ from actual colors.
Laguna recommends testing their glazes on test tile with your clay body before use in art or production.
Ochre - Moroccan Sand Glaze
MS-15 Ochre Moroccan Sand Cone 5 Brush on Glaze
Opaque glaze in the Laguna Cone 5 Moroccan Sand Series.
Laguna recommends testing their glazes on test tile with your clay body before use in art or production.
Photographic reproductions differ from actual colors.
Laguna recommends testing their glazes on test tile with your clay body before use in art or production.
Photographic reproductions differ from actual colors.
Ocean Teal Crackle Mid-Range Glaze
Laguna WC-139 Ocean Teal Glaze (1 pint) Cone 5 Crackle Brush on Glaze
Transparent glaze in the Laguna Cone 5 Crackle Glaze Series
Laguna recommends testing their glazes on test tile with your clay body before use in art or production. Photographic reproductions differ from actual colors.
Laguna recommends testing their glazes on test tile with your clay body before use in art or production.
Mojave Dusk - Mystic Glaze
WC-113 Mojave Dusk Mystic Cone 5 Brush on Glaze
Semi-opaque glaze in the Laguna Cone 5 Mystic Series.
Laguna recommends testing their glazes on test tile with your clay body before use in art or production.Photographic reproductions differ from actual colors
Laguna recommends testing their glazes on test tile with your clay body before use in art or production.
Mint Irish Cream - Mystic Glaze
WC-114 Mint Irish Cream Mystic Cone 5 Brush on Glaze
Semi-opaque glaze in the Laguna Cone 5 Mystic Series.
Laguna recommends testing their glazes on test tile with your clay body before use in art or production.Photographic reproductions differ from actual colors
Laguna recommends testing their glazes on test tile with your clay body before use in art or production.
Mint Coffee Crystal Blossom Mid-Range Glaze
Laguna WC-164 Mint Coffee Glaze (1 pint) Cone 5 Crystal Blossom, Brush on Glaze
Semi-opaque glaze in the Laguna Cone 5 Crystal Blossom Glaze Series.
Laguna recommends testing their glazes on test tile with your clay body before use in art or production. Photographic reproductions differ from actual colors.
Crystalline Glaze Firing Schedule
There is no such thing as a foolproof firing schedule for crystalline glazes, but here is a good place to start for Cone 5:
Segment Rate Temp. Hold 1 250ÃÂð/hour 1250ÃÂðF 0 2 350ÃÂð/hour 2140ÃÂðF 0 3 25ÃÂð/hour 2165ÃÂðF 0 4 9999 setting 1950ÃÂðF 3 hrs.
Laguna recommends testing their glazes on test tile with your clay body before use in art or production. Photographic reproductions differ from actual colors.
Laguna recommends testing their glazes on test tile with your clay body before use in art or production.
There is no such thing as a foolproof firing schedule for crystalline glazes, but here is a good place to start for Cone 5:
Segment | Rate | Temp. | Hold | |||
1 | 250ÃÂð/hour | 1250ÃÂðF | 0 | |||
2 | 350ÃÂð/hour | 2140ÃÂðF | 0 | |||
3 | 25ÃÂð/hour | 2165ÃÂðF | 0 | |||
4 | 9999 setting | 1950ÃÂðF | 3 hrs. |
Laguna recommends testing their glazes on test tile with your clay body before use in art or production. Photographic reproductions differ from actual colors.
Layered Fern - Mystic Glaze
WC-106 Layered Fern Mystic Cone 5 Brush on Glaze
Semi-opaque glaze in the Laguna Cone 5 Mystic Series.
Laguna recommends testing their glazes on test tile with your clay body before use in art or production.Photographic reproductions differ from actual colors
Laguna recommends testing their glazes on test tile with your clay body before use in art or production.
Lavender Filigree Crystal Blossom Mid-Range Glaze
Laguna WC-160 Lavender Filigree Glaze (1 pint) Cone 5 Crystal Blossom, Brush on Glaze
Semi-opaque glaze in the Laguna Cone 5 Crystal Blossom Glaze Series.
This is the base glaze for this series â add your choice of stains or oxides to expand on the stock palette.
Laguna recommends testing their glazes on test tile with your clay body before use in art or production. Photographic reproductions differ from actual colors.
Crystalline Glaze Firing Schedule
There is no such thing as a foolproof firing schedule for crystalline glazes, but here is a good place to start for Cone 5:
Segment Rate Temp. Hold 1 250ÃÂð/hour 1250ÃÂðF 0 2 350ÃÂð/hour 2140ÃÂðF 0 3 25ÃÂð/hour 2165ÃÂðF 0 4 9999 setting 1950ÃÂðF 3 hrs.
Laguna recommends testing their glazes on test tile with your clay body before use in art or production. Photographic reproductions differ from actual colors.
There is no such thing as a foolproof firing schedule for crystalline glazes, but here is a good place to start for Cone 5:
Segment | Rate | Temp. | Hold | |||
1 | 250ÃÂð/hour | 1250ÃÂðF | 0 | |||
2 | 350ÃÂð/hour | 2140ÃÂðF | 0 | |||
3 | 25ÃÂð/hour | 2165ÃÂðF | 0 | |||
4 | 9999 setting | 1950ÃÂðF | 3 hrs. |
Laguna recommends testing their glazes on test tile with your clay body before use in art or production. Photographic reproductions differ from actual colors.
Jade - Moroccan Sand Glaze
MS-77 Jade Moroccan Sand Cone 5 Brush on Glaze
Opaque glaze in the Laguna Cone 5 Moroccan Sand Series.
Laguna recommends testing their glazes on test tile with your clay body before use in art or production. Photographic reproductions differ from actual colors.
Laguna recommends testing their glazes on test tile with your clay body before use in art or production.
Hyacinth - Moroccan Sand Glaze (SO)
MS-56 Hyacinth Moroccan Sand Cone 5 Brush on Glaze
Semi-opaque glaze in the Laguna Cone 5 Moroccan Sand Series.
Laguna recommends testing their glazes on test tile with your clay body before use in art or production. Photographic reproductions differ from actual colors.
Laguna recommends testing their glazes on test tile with your clay body before use in art or production.
Gloss Black - Moroccan Sand Glaze
MS-6 Gloss Black Moroccan Sand Cone 5 Brush on Glaze
Opaque glaze in the Laguna Cone 5 Moroccan Sand Series.
Laguna recommends testing their glazes on test tile with your clay body before use in art or production. Photographic reproductions differ from actual colors.
Laguna recommends testing their glazes on test tile with your clay body before use in art or production.
Forest Green-2 - Moroccan Sand Glaze
MS-78 Forest Green-2 Moroccan Sand Cone 5 Brush on Glaze
Opaque glaze in the Laguna Cone 5 Moroccan Sand Series.
Laguna recommends testing their glazes on test tile with your clay body before use in art or production. Photographic reproductions differ from actual colors.
Laguna recommends testing their glazes on test tile with your clay body before use in art or production.
Forest Green Moroccan Sand Glaze (T)
MS-04 Forest Green Moroccan Sand Cone 5 Brush on Glaze
Transparent glaze in the Laguna Cone 5 Moroccan Sand Series.
Laguna recommends testing their glazes on test tile with your clay body before use in art or production. Photographic reproductions differ from actual colors.
Laguna recommends testing their glazes on test tile with your clay body before use in art or production.
Emeraude Glaze Moroccan Sand Glaze (O)
MS-54 Emeraude Glaze Moroccan Sand Cone 5 Brush on Glaze
Opaque glaze in the Laguna Cone 5 Moroccan Sand Series.
Laguna recommends testing their glazes on test tile with your clay body before use in art or production. Photographic reproductions differ from actual colors.
Laguna glazes have no instructions on the label.
Laguna recommends testing their glazes on test tile with your clay body before use in art or production.
Laguna glazes have no instructions on the label.
Emerald Isle Crackle Mid-Range Glaze
Laguna WC-134 Emerald Isle Glaze (1 pint) Cone 5 Crackle Brush on Glaze
Transparent glaze in the Laguna Cone 5 Crackle Glaze Series
Laguna recommends testing their glazes on test tile with your clay body before use in art or production. Photographic reproductions differ from actual colors.
Laguna recommends testing their glazes on test tile with your clay body before use in art or production.
Dynasty Red - Moroccan Sand Glaze
MS-96 Dynasty Red Moroccan Sand Cone 5 Brush on Glaze
Dutch Sprinkle Moroccan Sand Glaze (S)
MS-50 Dutch Sprinkle Moroccan Sand Cone 5 Brush on Glaze
16-ounce, pint sized container
Satin glaze in the Laguna Cone 5 Moroccan Sand Series.
Laguna recommends testing their glazes on test tile with your clay body before use in art or production. Photographic reproductions differ from actual colors.
Laguna recommends testing their glazes on test tile with your clay body before use in art or production.
Desert Skye Crackle Mid-Range Glaze
Laguna WC-141 Desert Skye Glaze (1 pint) Cone 5 Crackle Brush on Glaze
Transparent glaze in the Laguna Cone 5 Crackle Glaze Series
Laguna recommends testing their glazes on test tile with your clay body before use in art or production. Photographic reproductions differ from actual colors.
Laguna recommends testing their glazes on test tile with your clay body before use in art or production.
Desert Rose Oxide Stain
MS-101 Desert Rose Oxide Stain
16-ounce, pint sized container
Glaze in the Laguna Oxide
Stain Series. Cone 5.
Prepared in a special suspension solution for an
easy, even application. Can be used for drawing designs and patterns under or
over the glaze application. These oxides do not contain lead and are safe for
food and beverage containers when properly fired.
Laguna recommends testing their glazes on test tile with your clay body before use in art or production. Photographic reproductions differ from actual colors.
Laguna recommends testing their glazes on test tile with your clay body before use in art or production.
Dark Turquoise Moroccan Sand Glaze (S)
MS-23 Dark Turquoise Moroccan Sand Cone 5 Brush on Glaze (Matte)
16-ounce, pint sized container
Satin glaze in the Laguna Cone 5 Moroccan Sand Series.
Laguna recommends testing their glazes on test tile with your clay body before use in art or production. Photographic reproductions differ from actual colors.
Laguna recommends testing their glazes on test tile with your clay body before use in art or production.
Clear Bright Moroccan Sand Glaze (O)
MS-29 Clear Bright Moroccan Sand Cone 5 Brush on Glaze
16-ounce, pint sized container
Opaque glaze in the Laguna Cone 5 Moroccan Sand Series.
Laguna recommends testing their glazes on test tile with your clay body before use in art or production. Photographic reproductions differ from actual colors.
Laguna recommends testing their glazes on test tile with your clay body before use in art or production.
Chun Red Moroccan Sand Glaze (O)
MS-32 Chun Red Moroccan Sand Cone 5 Brush on Glaze
16-ounce, pint sized container
Opaque glaze in the Laguna Cone 5 Moroccan Sand Series.
Laguna recommends testing their glazes on test tile with your clay body before use in art or production. Photographic reproductions differ from actual colors.
Laguna recommends testing their glazes on test tile with your clay body before use in art or production.
Chocolate Mesa - Mystic Glaze
WC-112 Chocolate Mesa Mystic Cone 5 Brush on Glaze
Semi-opaque glaze in the Laguna Cone 5 Mystic Series.
Laguna recommends testing their glazes on test tile with your clay body before use in art or production.Photographic reproductions differ from actual colors
Laguna recommends testing their glazes on test tile with your clay body before use in art or production.
Celadon Froth - Mystic Glaze
WC-100 Celadon Froth Mystic Cone 5 Brush on Glaze
Semi-opaque glaze in the Laguna Cone 5 Mystic Series.
Laguna recommends testing their glazes on test tile with your clay body before use in art or production.Photographic reproductions differ from actual colors
Laguna recommends testing their glazes on test tile with your clay body before use in art or production.
Catalina Crackle Mid-Range Glaze
Laguna WC-136 Catalina Crackle Glaze (1 pint) Cone 5 Crackle Brush on Glaze
Transparent glaze in the Laguna Cone 5 Crackle Glaze Series
Laguna recommends testing their glazes on test tile with your clay body before use in art or production. Photographic reproductions differ from actual colors.
Laguna recommends testing their glazes on test tile with your clay body before use in art or production.
Castile Blue Moroccan Sand Glaze (SO)
MS-47 Castile Blue Moroccan Sand Cone 5 Brush on Glaze
16-ounce, pint sized container
Semi-opaque glaze in the Laguna Cone 5 Moroccan Sand Series.
Laguna recommends testing their glazes on test tile with your clay body before use in art or production. Photographic reproductions differ from actual colors.
Laguna recommends testing their glazes on test tile with your clay body before use in art or production.
Caramel Steam - Mystic Glaze
WC-104 Caramel Steam Mystic Cone 5 Brush on Glaze
Semi-opaque glaze in the Laguna Cone 5 Mystic Series.
Laguna recommends testing their glazes on test tile with your clay body before use in art or production.Photographic reproductions differ from actual colors
Laguna recommends testing their glazes on test tile with your clay body before use in art or production.
Cappuccino Moroccan Sand Glaze (O)
MS-57 Cappuccino Moroccan Sand Cone 5 Brush on Glaze
16-ounce, pint sized container
Opaque glaze in the Laguna Cone 5 Moroccan Sand Series.
Laguna recommends testing their glazes on test tile with your clay body before use in art or production. Photographic reproductions differ from actual colors.
Laguna recommends testing their glazes on test tile with your clay body before use in art or production.
Brilliant Sunburn - Mystic Glaze
WC-101 Brilliant Sunburn Mystic Cone 5 Brush on Glaze
Semi-opaque glaze in the Laguna Cone 5 Mystic Series.
Laguna recommends testing their glazes on test tile with your clay body before use in art or production.Photographic reproductions differ from actual colors
Laguna recommends testing their glazes on test tile with your clay body before use in art or production.
Blue Snowflakes Crystal Blossom Mid-Range Glaze
Laguna WC-162 Blue Snowflakes Glaze (1 pint) Cone 5 Crystal Blossom, Brush on Glaze
Semi-opaque glaze in the Laguna Cone 5 Crystal Blossom Glaze Series.
Laguna recommends testing their glazes on test tile with your clay body before use in art or production. Photographic reproductions differ from actual colors.
Crystalline Glaze Firing Schedule
There is no such thing as a foolproof firing schedule for crystalline glazes, but here is a good place to start for Cone 5:
Segment Rate Temp. Hold 1 250ÃÂð/hour 1250ÃÂðF 0 2 350ÃÂð/hour 2140ÃÂðF 0 3 25ÃÂð/hour 2165ÃÂðF 0 4 9999 setting 1950ÃÂðF 3 hrs.
Laguna recommends testing their glazes on test tile with your clay body before use in art or production. Photographic reproductions differ from actual colors.
There is no such thing as a foolproof firing schedule for crystalline glazes, but here is a good place to start for Cone 5:
Segment | Rate | Temp. | Hold | |||
1 | 250ÃÂð/hour | 1250ÃÂðF | 0 | |||
2 | 350ÃÂð/hour | 2140ÃÂðF | 0 | |||
3 | 25ÃÂð/hour | 2165ÃÂðF | 0 | |||
4 | 9999 setting | 1950ÃÂðF | 3 hrs. |
Laguna recommends testing their glazes on test tile with your clay body before use in art or production. Photographic reproductions differ from actual colors.
Bamboo Ash Matt Moroccan Sand Glaze (M)
MS-33 Bamboo Ash Matt Moroccan Sand Cone 5 Brush on Glaze
16-ounce, pint sized container
Matte glaze in the Laguna Cone 5 Moroccan Sand Series.
Laguna recommends testing their glazes on test tile with your clay body before use in art or production.Photographic reproductions differ from actual colors.
Laguna recommends testing their glazes on test tile with your clay body before use in art or production.
Atlantis Aqua - Mystic Glaze (SO)
WC-105 Atlantis Aqua Mystic Cone 5 Brush on Glaze
Semi-opaque glaze in the Laguna Cone 5 Mystic Series.
Laguna recommends testing their glazes on test tile with your clay body before use in art or production. Photographic reproductions differ from actual colors
Laguna recommends testing their glazes on test tile with your clay body before use in art or production.
Antique Jade - Mystic Glaze (SO)
WC-107 Antique Jade Mystic Cone 5 Brush on Glaze
Semi-opaque glaze in the Laguna Cone 5 Mystic Series.
Laguna recommends testing their glazes on test tile with your clay body before use in art or production. Photographic reproductions differ from actual colors
Laguna recommends testing their glazes on test tile with your clay body before use in art or production.
Antique Blue Moroccan Sand Glaze (M)
MS-55 Antique Blue Moroccan Sand Cone 5 Brush on Glaze
16-ounce, pint sized container
Matte glaze in the Laguna Cone 5 Moroccan Sand Series.
Laguna recommends testing their glazes on test tile with your clay body before use in art or production.Photographic reproductions differ from actual colors.
Laguna recommends testing their glazes on test tile with your clay body before use in art or production.
Amethyst Matte Moroccan Sand Glaze (M)
MS-43 Amethyst Matte Moroccan Sand Cone 5 Brush on Glaze
16-ounce, pint sized container
Matte glaze in the Laguna Cone 5 Moroccan Sand Series.
Laguna recommends testing their glazes on test tile with your clay body before use in art or production. Photographic reproductions differ from actual colors.
Laguna recommends testing their glazes on test tile with your clay body before use in art or production.
Almond Spice Moroccan Sand Glaze (O)
MS-69 Almond Spice Moroccan Sand Cone 5 Brush on Glaze
16-ounce, pint sized container
Opaque glaze in the Laguna Cone 5 Moroccan Sand Series.
Laguna recommends testing their glazes on test tile with your clay body before use in art or production. Photographic reproductions differ from actual colors.
Laguna recommends testing their glazes on test tile with your clay body before use in art or production.
Almond Moroccan Sand Glaze (O)
MS-68 Almond Moroccan Sand Cone 5 Brush on Glaze
16-ounce, pint sized container
Opaque glaze in the Laguna Cone 5 Moroccan Sand Series.
Laguna recommends testing their glazes on test tile with your clay body before use in art or production. Photographic reproductions differ from actual colors.
Laguna recommends testing their glazes on test tile with your clay body before use in art or production.
Red Curly Cut Off Mudwire Tool
Mud Tools Red Curly Cut Off Mudwire Tool
This is more than just a cut-off tool. As you pull it through the clay, the coiled wire leaves a beautiful pattern. Use it for faceting and
you get a surface that looks beautiful on wood-fired or salt-fired pots and under glazes that break (like celadon or temeku).
Our handles are made of a durable polymer and are shaped to give you a comfortable ergonomic grip without having to wrap the
wire around your fingers. The stainless steel coiled wire comes to you compressed and you pull it out to get the curl that suits you.
(wire extends up to a max total length of approximately 15-inches)
Green Mudwire Cut Off Tool
Mud Tools Standard Green Mudwire Cut Off Tool
Our Standard Green Mudwire is ergonomically designed to be a pleasure to use.
The handle is made with a durable polymer and is shaped to give you a comfortable grip without having to wrap the wire around your fingers. The high grade stainless steel braided cable is more resistant to kinking than common cable or solid wire and stronger than nylon fishing line.
This cut-off wire is suited for a standard 13 inch wheel-head and makes a clean cut.
Black Mudwire Cut Off Tool - Heavy Duty
Mud Tools Heavy Duty two handled Cut Off Wire Tool - Black
The Heavy Black Mud-Wire is the big brother of the Standard Green Mudwire general-use wire.
This Mudwire is made with a thicker high grade stainless steel braided cable, making it stronger & more resistant to kinking
The heavy gauge wire is built to take on the big jobs and groggy clay.
The handles are made with a durable polymer & are shaped to give you a comfortable ergonomic grip without having to wrap the
wire around your fingers.
(wire length is approximate 17″ but may vary slightly)
Studio Board Pottery Form
Studio Board 12 x 10 inch Form By GR Pottery Forms
The most Durable and Economical way of creating consistent form shapes
Our New Studio Boards are light weight and are a 1/4” thick. They help to flip the Form over or be used as a work surface!
Due to the board being thin, they may warp if they aren't cared for properly.
Studio Board Pottery Form
Studio Board 12 x 10 inch Form By GR Pottery Forms
The most Durable and Economical way of creating consistent form shapes
Our New Studio Boards are light weight and are a 1/4” thick. They help to flip the Form over or be used as a work surface!
Due to the board being thin, they may warp if they aren't cared for properly.
Christmas Tree Form
Christmas Tree Form 10 x 8 inch Form By GR Pottery Forms
The most Durable and Economical way of creating consistent form shapes
Our New Christmas Holliday dish
RD2 8 inch Pottery Form
RD2 - 8 inch Form By GR Pottery Forms
The most Durable and Economical way of creating consistent form shapes
8 inch Round Form with a soft edge and 2 drill holes.
Compatible with the WA2, WA2 Key or WA.
RD2 6.5 inch Pottery Form
RD2 - 6.5 inch Form By GR Pottery Forms
The most Durable and Economical way of creating consistent form shapes
6.5 Round Form with a soft edge and 2 drill holes.
Compatible with the WA2, WA2 Key or WA.
RD2 9.5 inch Pottery Form
RD2 - 9.5 inch Form By GR Pottery Forms
The most Durable and Economical way of creating consistent form shapes
9.5 Round Form with a soft edge and 2 drill holes.
Compatible with the WA2, WA2 Key or WA.
Puppy Gnome
MB1628 Puppy Gnome in ready to paint, cone 04 Low-Fire Ceramic Bisque
5 L x 4.5 W x 7.75 H
Kitten Gnome
MB1627 Kitten Gnome in ready to paint, cone 04 Low-Fire Ceramic Bisque
4.75 L x 4.25 W x 7.75 H
Sm. Faceted Mushroom
MB1626 - Sm. Faceted Mushroom in Ceramic Cone 04 Bisque
4.25 L x 4.25 W x 5 H
This item is unpainted.
You are purchasing an unfinished, Ready to Paint, Piece of Ceramic Pottery
Lg. Faceted Mushroom
MB1625 - Lg. Faceted Mushroom in Ceramic Cone 04 Bisque
6 L x 6 W x 7 H
This item is unpainted.
You are purchasing an unfinished, Ready to Paint, Piece of Ceramic Pottery
Purple Aster - 16 oz Mayco Stoneware Glaze
Purple Aster
SW-199
Cone 6: Purple Aster is a glossy, semi-opaque lavender glaze that breaks over texture and develops a pale violet frost; deep blue crystals melt into cascading blossoms of indigo.
Cone 10: Color darkens slightly. No change to crystals.
TIP: Purple Aster uses SW165 Lavender Mist as the base glaze. This glaze stable at 3 coats, even with heavy application. Crystals can create movement. Avoid having a heavy concentration of crystals near the bottom of your piece. Can be used in oxidation or reduction firings. Results may vary. The choice of clay body, thickness of application, firing process, and temperature will greatly affect the fired results. Always test your application on your clay body in your kiln environment.
Description
Stoneware crystal glazes are designed to expand upon the surface with dazzling bursts of color. Fired results will vary based on wareâs orientation. Crystals will settle to the bottom of the jar and will need a good mixing prior to initial use. Re-stir between each coat. Stir with palette knife or other unpainted tool. Avoid placing crystals near the bottom third of a vertical piece as they may cause additional movement during firing. Crystals will flow more than the base glaze. While the glaze is wet, use your fan brush to redistribute the crystals to achieve balanced coverage. Over-application or heavy deposition of the crystals can cause pin-holing or running. When storing a crystal glaze, you may consider storing upside down to facilitate crystal dispersion on the next use.
Opal Luster - 16 oz Mayco Stoneware Glaze
Opal Luster
SW-219 Mayco Stoneware Glaze
Cone 6 oxidation: Opal Lustre is a glossy, semi-opaque glaze that displays variegated shades of blues, greens, and purples. Breaks warm brown over texture.
Cone 10 reduction: Color flattens, and warm undertones come through.
TIP: This glaze is semi-fluid at 3 coats. Additional coats or increased application thickness may result in movement. Can be used in oxidation or reduction firings. Results may vary. The choice of clay body, thickness of application, firing process, and temperature will greatly affect the fired results. Always test your application on your clay body in your kiln environment.
Description
Stoneware classic glazes offer the depth, sophistication and reliability to artists working from mid-range to high-fire temperatures. Many glazes will break over textures, revealing secondary colors and shades. Used alone, stoneware glazes produce beautiful color variations. One coat will allow the clay body to show through the glaze and two to three coats deeper the color. The choice of clay body, thickness of glaze application, firing process and temperature will affect the fired finish.
Micro Pearl - 16 oz Mayco Stoneware Glaze
MICRO PEARL
SW-214 Mayco Stoneware Glaze
Cone 6 oxidation: Micro Pearl is a glossy, semi-opaque white glaze with lilac
undertones that breaks over texture. Iridescent micro-crystallization in shades
of lilac and pale yellow will develop during the firing process.
Cone 10 reduction: Glaze darkens to blue, purple and white
variegation.
TIP: This
glaze is stable at 3 coats. Additional coats or increased application thickness
may result in movement. We recommend firing our micro glazes to cone 6
oxidation to reach crystalline development. Micro-Pearl achieves a stable,
semi-opaque, frosted white result with a pearlescent satin finish when fired to
cone 5. Can be used in oxidation or reduction firings. Results may
vary. The choice of clay body, thickness of application, firing process,
and temperature will greatly affect the fired results. Always test your
application on your clay body in your kiln environment.
Description
Stoneware classic glazes offer the depth, sophistication and reliability to artists working from mid-range to high-fire temperatures. Many glazes will break over textures, revealing secondary colors and shades. Used alone, stoneware glazes produce beautiful color variations. One coat will allow the clay body to show through the glaze and two to three coats deeper the color. The choice of clay body, thickness of glaze application, firing process and temperature will affect the fired finish.
Micro Jade - 16 oz Mayco Stoneware Glaze
MIcro Jade
SW-216 - Mayco Stoneware brush on glaze
Cone 6 oxidation: Micro Jade is a glossy,
translucent, jade green glaze with a turquoise float that breaks over texture.
Blooms of shimmering bronze micro-crystallization will develop during the
firing process.
Cone 10 reduction: Glaze turns to a variegated brown.
TIP: This glaze is fluid at 3 coats. Recede application to avoid unwanted runoff. Due to the translucent nature of this product, be aware of your application consistency and thickness to avoid streaky brushstrokes. We recommend firing our micro glazes to cone 6 oxidation to reach crystalline development. Micro Jade achieves a stable, semi-opaque olive result that breaks over texture and has a pearlescent satin finish when fired to cone 5. Can be used in oxidation or reduction firings. Results may vary. The choice of clay body, thickness of application, firing process, and temperature will greatly affect the fired results. Always test your application on your clay body in your kiln environment.
Description
Stoneware classic glazes offer the depth, sophistication and reliability to artists working from mid-range to high-fire temperatures. Many glazes will break over textures, revealing secondary colors and shades. Used alone, stoneware glazes produce beautiful color variations. One coat will allow the clay body to show through the glaze and two to three coats deeper the color. The choice of clay body, thickness of glaze application, firing process and temperature will affect the fired finish.
Micro Champagne - 16 oz Mayco Stoneware Glaze
MICRO CHAMPAGNE
SW-215 Mayco Stoneware Glaze
Cone 6 oxidation: Micro Champagne is
a glossy, translucent amber glaze with a mauve float that breaks over texture.
Blooms of shimmering gold micro-crystallization will develop during the firing
process.
Cone 10 reduction: Glaze darkens.
TIP: This
glaze is fluid at 3 coats. Recede application to avoid unwanted
runoff. Due to the translucent nature of this product, be aware of your
application consistency and thickness to avoid streaky brushstrokes. We
recommend firing our micro glazes to cone 6 oxidation to reach crystalline
development. Micro Champagne achieves a stable, semi-opaque, golden-amber
result that breaks over texture and has a pearlescent satin finish when fired
to cone 5. Can be used in oxidation or reduction firings. Results may vary. The
choice of clay body, thickness of application, firing process, and temperature
will greatly affect the fired results. Always test your application on your
clay body in your kiln environment.
Description
Stoneware classic glazes offer the depth, sophistication and reliability to artists working from mid-range to high-fire temperatures. Many glazes will break over textures, revealing secondary colors and shades. Used alone, stoneware glazes produce beautiful color variations. One coat will allow the clay body to show through the glaze and two to three coats deeper the color. The choice of clay body, thickness of glaze application, firing process and temperature will affect the fired finish.
Micro Cerulean - 16 oz Mayco Stoneware Glaze
MICRO Cerulean
SW-217 Mayco Stoneware Glaze
Cone 6 oxidation: Micro Cerulean is a glossy, translucent, medium blue glaze with an aqua float that breaks over texture. Blooms of shimmering blue micro-crystallization will develop during the firing process.
Cone 10 reduction: Glaze turns to a variegated grey/blue.
TIP: This glaze is stable at 3 coats. Additional coats or increased application thickness may result in movement. Due to the translucent nature of this product, be aware of your application consistency and thickness to avoid streaky brushstrokes. We recommend firing our micro glazes to cone 6 oxidation to reach crystalline development. Micro Cerulean achieves a stable, semi-opaque, deep blue result that breaks over texture and has a pearlescent satin finish when fired to cone 5. Can be used in oxidation or reduction firings. Results may vary. The choice of clay body, thickness of application, firing process, and temperature will greatly affect the fired results. Always test your application on your clay body in your kiln environment.
Description
Stoneware classic glazes offer the depth, sophistication and reliability to artists working from mid-range to high-fire temperatures. Many glazes will break over textures, revealing secondary colors and shades. Used alone, stoneware glazes produce beautiful color variations. One coat will allow the clay body to show through the glaze and two to three coats deeper the color. The choice of clay body, thickness of glaze application, firing process and temperature will affect the fired finish.
Micro Ash - 16 oz Mayco Stoneware Glaze
MICRO Ash
SW-218 Mayco Stoneware Glaze
Cone 6 oxidation: Micro Ash is a glossy, translucent, variegated charcoal glaze with a periwinkle float that breaks over texture. Blooms of shimmering onyx micro-crystallization will develop during the firing process.
Cone 10 reduction: Glaze darkens.
TIP: This glaze is fluid at 3 coats. Recede application to avoid unwanted runoff. Due to the translucent nature of this product, be aware of your application consistency and thickness to avoid streaky brushstrokes. We recommend firing our micro glazes to cone 6 oxidation to reach crystalline development. Micro Ash achieves a stable, semi-opaque, warm charcoal result that breaks over texture and has a pearlescent satin finish when fired to cone 5. Can be used in oxidation or reduction firings. Results may vary. The choice of clay body, thickness of application, firing process, and temperature will greatly affect the fired results. Always test your application on your clay body in your kiln environment.
Description
Stoneware classic glazes offer the depth, sophistication and reliability to artists working from mid-range to high-fire temperatures. Many glazes will break over textures, revealing secondary colors and shades. Used alone, stoneware glazes produce beautiful color variations. One coat will allow the clay body to show through the glaze and two to three coats deeper the color. The choice of clay body, thickness of glaze application, firing process and temperature will affect the fired finish.
White Engobe - 16oz Mayco Stoneware Glaze
EG-001 White ENGOBE 16-ounce (Brush on) by Mayco Colors
Cone
6 oxidation: Black
Engobe fires matte black. Engobes are used to coat your clay body to your
preferred finish/color and are a great base to achieve in your glaze
results.
Cone
10 reduction: No
change.
Tips: Can be applied to wet
clay, greenware or soft fired, cone 04 bisque. Engobes are often used for
a variety of decorative techniques, such as sgraffito and majolica. Fires
matte. Apply clear glaze to intensify color or for use on dinnerware. Engobes
will impact glaze results when used as a base. Engobes are used to change
the color of your clay color surface without cross contamination and easy clean
up in your studio. Can be used in oxidation or reduction firings. Results
may vary. The choice of clay body, thickness of application, firing
process, and temperature will greatly affect the fired results. Always test
your application on your clay body in your kiln environment.
Teal Drift Amaco Phase Glaze
PG-42 Teal Drift Amaco Cone 5/6 Phase Glaze
A vivid turquoise with a subtle spot where thick, PG-42
Teal Drift is a rich, tropical color.
Layers well over AMACO Celadons, Potter's Choice and Satin Matte glazes. For
layering, please apply 3 coats over 3 coats. Glaze layering fired results may
run if paired with a runny glaze. We recommend testing any layering combination
prior to putting it on a full ceramic piece.
Shake
well before use. For best results, do not thin the glaze and apply 3-4 brush
coats to Cone 04 bisque. (Let the glaze dry between coats.)
Glaze
fire to Cone 5-6. Due to variations in raw materials used during manufacturing,
we recommend firing glazed test tiles before using each new batch number of
glaze
Speckled Buff Engobe - 16 oz Mayco Stoneware Glaze
EG-002 SPECKLED BUFF ENGOBE 16-ounce (Brush on) by Mayco Colors
Cone
6 oxidation: Speckled Buff Engobe fires matte ivory with brown
speckles. Engobes are used to coat your clay body to your preferred
finish/color and are a great base to achieve v in your glaze results.
Cone
10 reduction: No change.
Tips: Can be applied to wet clay,
green-ware or soft fired, cone 04 bisque. Engobes are often used for a
variety of decorative techniques, such as sgraffito and majolica. Fires
matte. Apply clear glaze to intensify color or for use on dinnerware.
Engobes
will impact glaze results when used as a base.
Engobes are used to change
the color of your clay color surface without cross contamination and easy clean
up in your studio. Can be used in oxidation or reduction firings. Results
may vary. The choice of clay body, thickness of application, firing
process, and temperature will greatly affect the fired results. Always test
your application on your clay body in your kiln environment.
Set 112 Semi-Moist Underglaze Set
Amaco Semi-Moist Underglaze Set #112
Set #112 includes the Red, Bright Yellow, Chartreuse, Warm
Green, Aqua, Medium Blue, White, and Black colors of the Semi-Moist
Underglazes. The SMUG's are formulated to respond similarly to being brushed
like watercolors- becoming more opaque with layered application and more
transparent after water is added. They can be blended and diluted to achieve a
wide variety of effects.
- Rated for Cone 04-10. *Excluding Peach and Rose (Cone 04-6)
- Must be used with proper glaze to be food safe.
Set 111 Semi-Moist Underglaze Set
Amaco Semi-Moist Underglaze Set #111
Set #111 includes
the Real Orange, Light Red, Violet, Electric Blue, Salmon, Red, Amethyst, and
Hunter Green colors of the Semi-Moist Underglazes. The SMUG's are formulated to
respond similarly to being brushed like watercolors- becoming more opaque with
layered application and more transparent after water is added. They can be
blended and diluted to achieve a wide variety of effects.
- Rated for Cone
04-10.
- Must be used with proper glaze to be food safe.
Set 110 Semi-Moist Underglaze Set
Amaco Semi-Moist Underglaze Set #110
Set #110 includes the Orange, Rose, Light Blue, Chartreuse,
Peach, Purple, Aqua, and Sun Tan colors of the Semi-Moist Underglazes. The
SMUG's are formulated to respond similarly to being brushed like watercolors-
becoming more opaque with layered application and more transparent after water
is added. They can be blended and diluted to achieve a wide variety of effects.
- Rated for Cone 04-10. *Excluding Peach and Rose (Cone 04-6)
- Must be used with proper glaze to be food safe.
Set 109 Semi-Moist Underglaze Set
Amaco Semi-Moist Underglaze Set #109
Set #109 includes the Bright Yellow, Lilac, Medium blue,
Mahogany Brown, Pink, Turquoise, Warm Green, and Warm Gray colors of the
Semi-Moist Underglazes. The SMUG's are formulated to respond similarly to being
brushed like watercolors- becoming more opaque with layered application and
more transparent after water is added. They can be blended and diluted to
achieve a wide variety of effects.
- Rated for Cone 04-10. *Excluding Bright Yellow and Pink (Cone 04-6)
- Must be used with proper glaze to be food safe.
Set 108 Semi-Moist Underglaze Set
Amaco Semi-Moist Underglaze Set
#108
Set #108 includes the Light Yellow, Maroon, Dark Blue,
Blue-Green, Dark Green, Light Brown, White, and Black colors of the Semi-Moist
Underglazes. The SMUG's are formulated to respond similarly to brushing with
watercolors - becoming more opaque with layered application and more transparent
after water is added. They can be blended and diluted to achieve a wide variety
of effects.
- Rated for Cone 04-10. *Excluding Light Yellow and Maroon (Cone 04-6)
- Must be used with proper glaze to be food safe.
Night Rain Amaco Phase Glaze
PG-24 Night Rain Amaco Phase Cone 5/6 Phase Glaze
A deep indigo blue with lighter blue visual texture, PG-24
Night Rain is reminiscent of a night sky through a rain spattered window.
Layers well over AMACO Celadons, Potter's Choice and Satin
Matte glazes. For layering, please apply 3 coats over 3 coats. Glaze layering
fired results may run if paired with a runny glaze. We recommend testing any
layering combination prior to putting it on a full ceramic piece.
Shake
well before use. For best results, do not thin the glaze and apply 3-4 brush
coats to Cone 04 bisque. (Let the glaze dry between coats.)
Glaze fire to Cone 5-6. Due to variations in raw materials used during manufacturing, we recommend firing glazed test tiles before using each new batch number of glaze.
Lunar Pink Amaco Phase Glaze
PG-54 Lunar Pink Amaco, Cone 5/6 Phase Glaze
A pale, cool pink with white visual texture where thick.
PG-54 Lunar Pink gives the visual effect is caused by the scattering of
sunlight through the Earth's atmosphere during the moonrise.
Layers well over AMACO Celadons, Potter's Choice and Satin Matte glazes. For
layering, please apply 3 coats over 3 coats. Glaze layering fired results may
run if paired with a runny glaze. We recommend testing any layering combination
prior to putting it on a full ceramic piece.
Shake
well before use. For best results, do not thin the glaze and apply 3-4 brush
coats to Cone 04 bisque. (Let the glaze dry between coats.)
Glaze
fire to Cone 5-6. Due to variations in raw materials used during manufacturing,
we recommend firing glazed test tiles before using each new batch number of
glaze.
Golden Honey - 16oz Potters Choice Cone 5 Glaze
PC-68 - Golden Honey - Mid Range Potters Choice Glaze in Pint Size Container
Semi-gloss warm
yellow, Golden Honey is a translucent glaze like whipped honey. Breaks lighter
on texture, a richer color where thick.
Layers well over AMACO
Celadons, other Potter's Choice and Satin Matte glazes. Glaze layering fired
results may run if paired with a runny glaze. We recommend testing any layering
combination prior to putting it on a full ceramic piece.
Shake well before use. For best results, do
not thin the glaze and apply 3 brush coats to Cone 04 bisque. (Let the glaze
dry between coats.) Glaze fire to Cone 5-6. Due to variations in raw materials
used during manufacturing, we recommend firing glazed test tiles before using
each new batch number of glaze.
Safety Warning
Tableware producers must test all finished ware to establish dinnerware status, due to possible variations in firing temperature and contamination.
Floating Lavender Amaco Phase Glaze
PG-55 Floating Lavender Amaco, Cone 5/6 Phase Glaze
A light purple with lighter visual spot texture where
thick, PG-55 Floating Lavender is light and airy as a cloud at sunset.
Layers well over AMACO Celadons, Potter's Choice and Satin Matte glazes. For
layering, please apply 3 coats over 3 coats. Glaze layering fired results may
run if paired with a runny glaze. We recommend testing any layering combination
prior to putting it on a full ceramic piece.
Shake
well before use. For best results, do not thin the glaze and apply 3-4 brush
coats to Cone 04 bisque. (Let the glaze dry between coats.)
Glaze
fire to Cone 5-6. Due to variations in raw materials used during manufacturing,
we recommend firing glazed test tiles before using each new batch number of
glaze.
Fire & Ice - 16oz Potters Choice Cone 5 Glaze
PC-72 - Fire & Ice - Mid Range Potters Choice Glaze in Pint Size Container
PC-72 Fire & Ice
is deep red where thick and icy blue where thin. Fire & Ice is a reduction
copper red for electric firing with a dramatic icy, blue-colored break on
texture. Apply three coats for best oxblood red color.
Layers well over AMACO
Celadons, other Potter's Choice and Satin Matte glazes. Glaze layering fired
results may run if paired with a runny glaze. We recommend testing any layering
combination prior to putting it on a full ceramic piece.
Shake well before use. For best results, do
not thin the glaze and apply 3 brush coats to Cone 04 bisque. (Let the glaze
dry between coats.) Glaze fire to Cone 5-6. Due to variations in raw materials
used during manufacturing, we recommend firing glazed test tiles before using
each new batch number of glaze..
Safety Warning
Tableware producers must test all finished ware to establish dinnerware status, due to possible variations in firing temperature and contamination.
Dark Brown Engobe - 16 oz Mayco Stoneware Glaze
EG-004 dark brown ENGOBE 16-ounce (Brush on) by Mayco Colors
Cone
6 oxidation: Dark
Brown Engobe fires matte brown.
Engobes are used to coat your clay body to your
preferred finish/color and are a great base to achieve in your glaze
results.
Cone
10 reduction: No
change.
Tips: Can be applied to wet clay, green-ware or soft fired,
cone 04 bisque. Engobes are often used for a variety of decorative
techniques, such as sgraffito and majolica. Fires matte. Apply clear glaze
to intensify color or for use on dinnerware.
Engobes will impact glaze
results when used as a base. Engobes are used to change the color of your
clay color surface without cross contamination and easy clean up in your
studio. Can be used in oxidation or reduction firings.
Results may
vary. The choice of clay body, thickness of application, firing process,
and temperature will greatly affect the fired results. Always test your
application on your clay body in your kiln environment
Brick Red Engobe - 16-oz Mayco Stoneware Glaze
EG-003 brick red ENGOBE 16-ounce (Brush on) by Mayco Colors
Cone 6 oxidation: Brick Red Engobe
fires matte red/brown. Engobes are used to coat your clay body to your
preferred finish/color and are a great base to achieve v in your glaze
results.
Cone 10 reduction: No change.
Tips: Can be applied to wet clay, green-ware or soft fired, cone 04
bisque. Engobes are often used for a variety of decorative techniques,
such as sgraffito and majolica. Fires matte.
Apply clear glaze to
intensify color or for use on dinnerware. Engobes will impact glaze
results when used as a base.
Engobes are used to change the color of your
clay color surface without cross contamination and easy clean up in your
studio.
Can be used in oxidation or reduction firings. Results may
vary. The choice of clay body, thickness of application, firing process,
and temperature will greatly affect the fired results.
Always test your
application on your clay body in your kiln environment.
Black Engobe - 16oz Mayco Stoneware Glaze
EG-005 Black ENGOBE 16-ounce (Brush on) by Mayco Colors
Cone
6 oxidation: Black
Engobe fires matte black. Engobes are used to coat your clay body to your
preferred finish/color and are a great base to achieve in your glaze
results.
Cone
10 reduction: No
change.
Tips: Can be applied to wet
clay, greenware or soft fired, cone 04 bisque. Engobes are often used for
a variety of decorative techniques, such as sgraffito and majolica. Fires
matte. Apply clear glaze to intensify color or for use on dinnerware. Engobes
will impact glaze results when used as a base. Engobes are used to change
the color of your clay color surface without cross contamination and easy clean
up in your studio. Can be used in oxidation or reduction firings. Results
may vary. The choice of clay body, thickness of application, firing
process, and temperature will greatly affect the fired results. Always test
your application on your clay body in your kiln environment.
Wide Stoneware Serving Bowl
Wide Serving Bowl in ready to paint, Soft-Fired, Cone 04, Stoneware Bisque.
13.5 L x 13.5 W x 3.25 H
Medium Stoneware Mixing Bowl
Medium Mixing Bowl Bowl in ready to paint, Soft-Fired, Cone 04, Stoneware Bisque.
10.5 L x 10.5 W x 3.5 H
Small Stoneware Mixing Bowl
Small Mixing Bowl Bowl in ready to paint, Soft-Fired, Cone 04, Stoneware Bisque.
8.25 L x 8.25 W x 2.75 H
Spongette Tool
Kemper K33 SpongetteTool
7 inches Long
Features a soft rectangular cellulose sponge.
(approx. 3.5 L x 1W x 1H) mounted on a sturdy hardwood handle.
PT430 Pro-Line Trim Tool 1 SQ @ 45 Degree
Kemper Ceramic Tools
PT430 Pro-Line Trim Tool 1 SQ @ 45 Degree
Kemper Pro-Line tools are crafted from select hardwood handles. The steel loops and blades are made from knife quality, high carbon steel that has been heat treated and quenched in oil to give the blades maximum hardness and durability.
Because high carbon steel takes and holds a sharper and longer lasting edge than stainless, these tools last much longer even when used with highly grogged clays and plaster.
All of Kemper's Pro-Line tools are retained by brass ferrules and firmly set with industrial adhesives to protect against water and prevent them from coming loose. In addition, each handle is immersed in an oil resin bath to seal the handle against water damage and prolong the life of the tools.
PT480L Pro-Line Trim Tool 1/2 Teardrop
Kemper Ceramic Tools
PT480L Pro-Line Trim Tool 1/2 Teardrop
Kemper Pro-Line tools are crafted from select hardwood handles. The steel loops and blades are made from knife quality, high carbon steel that has been heat treated and quenched in oil to give the blades maximum hardness and durability.
Because high carbon steel takes and holds a sharper and longer lasting edge than stainless, these tools last much longer even when used with highly grogged clays and plaster.
All of Kemper's Pro-Line tools are retained by brass ferrules and firmly set with industrial adhesives to protect against water and prevent them from coming loose. In addition, each handle is immersed in an oil resin bath to seal the handle against water damage and prolong the life of the tools.
PT310 Pro-Line Trim Tool 1-7/8 Pear Core
Kemper Ceramic Tools
PT310 Pro-Line Trim Tool 1-7/8 Pear Core
Kemper Pro-Line tools are crafted from select hardwood handles. The steel loops and blades are made from knife quality, high carbon steel that has been heat treated and quenched in oil to give the blades maximum hardness and durability.
Because high carbon steel takes and holds a sharper and longer lasting edge than stainless, these tools last much longer even when used with highly grogged clays and plaster.
All of Kemper's Pro-Line tools are retained by brass ferrules and firmly set with industrial adhesives to protect against water and prevent them from coming loose. In addition, each handle is immersed in an oil resin bath to seal the handle against water damage and prolong the life of the tools.
PT360 Pro-Line Trim Tool Angle 1.8 x .9
Kemper Ceramic Tools
PT360 Pro-Line Trim Tool Angle 1.8 x .9
Kemper Pro-Line tools are crafted from select hardwood handles. The steel loops and blades are made from knife quality, high carbon steel that has been heat treated and quenched in oil to give the blades maximum hardness and durability.
Because high carbon steel takes and holds a sharper and longer lasting edge than stainless, these tools last much longer even when used with highly grogged clays and plaster.
All of Kemper's Pro-Line tools are retained by brass ferrules and firmly set with industrial adhesives to protect against water and prevent them from coming loose. In addition, each handle is immersed in an oil resin bath to seal the handle against water damage and prolong the life of the tools.
Featured
Fruity Freckles - 4oz Mayco Jungle Gem Crystal Glaze
CG-981 Fruity Freckles (4 ounce) Jungle Gem Crystal Glaze by Mayco Colors
Drama! Excitement!
These beautiful glazes transform in the kiln when small pieces of glass burst into color and intricate pattern during the firing process. Use alone for stunning effects, in glaze combination blending with Stroke & Coats®, Foundations® or Cobblestones or simply as an accent to your design.
General Use
Crystal glazes were designed to mature at cone 06/05. Apply to shelf cone 04 bisque. Shake jar well and stir during the application process. Apply 3 coats with a fan brush, allowing to dry between coats. Avoid placing crystals towards bottom of ware to keep them from flowing onto the kiln shelf during firing. Crystal Glazes can be fired to higher temperatures. Review individual color label for cone 6 firing results. The crystals in the glaze will melt when fired, which may create a textured surface. As that surface may be difficult to properly clean if in contact with food, we recommend crystal glazes to be used on decorative ware. Jungle Gems ⢠and Crystalites ⢠glazes are certified AP nontoxic, with the exception of CG 707 Woodland Fantasy and CG 713 Peacock Green which require a caution label, CL, due to soluble copper. Please refer to label for specific information
Helpful Hints
- Left-over crystals? Just add a complimentary Foundations® glaze.
- May use a complimentary Foundations® as a base glaze in order to make your crystals go further.
- We recommend a soft fan brush, such as CB-604 #4 or CB-618 #8 Soft Fan, for glaze application.
- Stir frequently as crystals tend to settle in the jar due to their weight.
- Store upside down with lid on securely to allow easy mixing and even dispersion of crystals.
- As crystals tend to flow at higher temperatures, we recommend limiting number of crystals on bottom third of vertical piece to avoid glaze running onto kiln shelf.
- Re-distribution of crystals may be required during the final coat. Where you see the crystal is where you will see it bloom.
Application Recommendations
The following application recommendations are based upon the original product development intent and use for the product. Information on alternative application methods is listed in the section "Usage Variations and FAQ's".
- Shake well prior to each application coat. The reason for this recommendation is that the crystals will settle to the bottom of the jar in a short period of time. If you notice the crystals settling during an application you can either dip your brush to the bottom of the jar to re-dispense or attach the lid and shake vigorously.
- During the application of the third coat of glaze you may find it necessary to re-distribute crystals, or add crystals, on your piece to assure balanced coverage. Use your brush to push crystals onto thinly covered areas or dip your brush into the jar and gather crystals onto it, then "pat" them on the sparsely covered areas.
- We recommend a broad, soft brush, such as a CB-604 #4 or CB-618 #8 Soft Fan Brush, to apply crystal glazes. The fan brush may help more in the even disbursement of the crystals, thus creating a more pleasing pattern in the fired glaze.
- Crystalites⢠and Jungle Gems⢠were designed to fire to cone 06. Higher temperature firings will change the colors from cone 06 results and movement and flow WILL increase.
Usage Variations & FAQs
Q: What advice to do have for firing Crystal glazes at higher temperatures?
A: Crystal glazes, already prone to move, will move that much more at higher temperatures. The crystals will lose some of their definition and act more as a blending agent. You'll wan to be careful about placing glaze too close to the bottom of your piece - in addition to stilting you may want to put a tile or a piece of scrap bisque beneath the piece to prevent glaze from running onto your kiln shelves.
Q: What are some of the ways I can use Crystal glazes in my design work?
A: Simply apply the crystalites in the pattern and apply as the above directions stated. Several rings of the Crystalites placed in varied patterns are also attractive. Interesting patterns may be obtained by placing several rings of crystals in a necklace-like placement around the piece. The glaze may need to be strained in order to separate the crystals for this procedure. The crystals are then applied using a brush or small spoon in a linear necklace-like ring around the piece. This can be several rings in sequential order or in a zigzag pattern to produce the most pleasing effect.
Q: Your label states that Crystalites⢠and Jungle Gemsâ¢are "Food Safe", yet you also include the statement "May not be suitable for food surfaces due to surface characteristics"?
A: Food Safety is determined by standards established by the Food and Drug Administration (FDA). ASTM method C-738 and C-927-80 are "leach tests"; the tests involve measuring the chemical composition of an acidic food before exposure to a glazed surface and the chemical composition after a several days. If the levels of glaze materials found in the food are below the established limits, the glaze can be marketed as "Food Safe." Glazes that create dimensional surfaces also create crevices and nooks that can trap food - even after washing. This food can develop bacterial growth and cause health issues. Our policy is to discourage the use of textural glazes on ware that is intended for food usage even though the glaze has met all food safety criteria.
Q: Can I mix leftover crystals into other glazes?
A: Yes. Foundations® Sheers would be a good choice as these glazes will allow the crystals to expand much like the base glaze of Crystalites⢠and Jungle Gemsâ¢.
Koi Pond - 4oz Mayco Jungle Gem Crystal Glaze
CG-983 Koi Pond (4 ounce) Jungle Gem Crystal Glaze by Mayco Colors
Drama! Excitement!
These beautiful glazes transform in the kiln when small pieces of glass burst into color and intricate pattern during the firing process. Use alone for stunning effects, in glaze combination blending with Stroke & Coats®, Foundations® or Cobblestones or simply as an accent to your design.
General Use
Crystal glazes were designed to mature at cone 06/05. Apply to shelf cone 04 bisque. Shake jar well and stir during the application process. Apply 3 coats with a fan brush, allowing to dry between coats. Avoid placing crystals towards bottom of ware to keep them from flowing onto the kiln shelf during firing. Crystal Glazes can be fired to higher temperatures. Review individual color label for cone 6 firing results. The crystals in the glaze will melt when fired, which may create a textured surface. As that surface may be difficult to properly clean if in contact with food, we recommend crystal glazes to be used on decorative ware. Jungle Gems ⢠and Crystalites ⢠glazes are certified AP nontoxic, with the exception of CG 707 Woodland Fantasy and CG 713 Peacock Green which require a caution label, CL, due to soluble copper. Please refer to label for specific information
Helpful Hints
- Left-over crystals? Just add a complimentary Foundations® glaze.
- May use a complimentary Foundations® as a base glaze in order to make your crystals go further.
- We recommend a soft fan brush, such as CB-604 #4 or CB-618 #8 Soft Fan, for glaze application.
- Stir frequently as crystals tend to settle in the jar due to their weight.
- Store upside down with lid on securely to allow easy mixing and even dispersion of crystals.
- As crystals tend to flow at higher temperatures, we recommend limiting number of crystals on bottom third of vertical piece to avoid glaze running onto kiln shelf.
- Re-distribution of crystals may be required during the final coat. Where you see the crystal is where you will see it bloom.
Application Recommendations
The following application recommendations are based upon the original product development intent and use for the product. Information on alternative application methods is listed in the section "Usage Variations and FAQ's".
- Shake well prior to each application coat. The reason for this recommendation is that the crystals will settle to the bottom of the jar in a short period of time. If you notice the crystals settling during an application you can either dip your brush to the bottom of the jar to re-dispense or attach the lid and shake vigorously.
- During the application of the third coat of glaze you may find it necessary to re-distribute crystals, or add crystals, on your piece to assure balanced coverage. Use your brush to push crystals onto thinly covered areas or dip your brush into the jar and gather crystals onto it, then "pat" them on the sparsely covered areas.
- We recommend a broad, soft brush, such as a CB-604 #4 or CB-618 #8 Soft Fan Brush, to apply crystal glazes. The fan brush may help more in the even disbursement of the crystals, thus creating a more pleasing pattern in the fired glaze.
- Crystalites⢠and Jungle Gems⢠were designed to fire to cone 06. Higher temperature firings will change the colors from cone 06 results and movement and flow WILL increase.
Usage Variations & FAQs
Q: What advice to do have for firing Crystal glazes at higher temperatures?
A: Crystal glazes, already prone to move, will move that much more at higher temperatures. The crystals will lose some of their definition and act more as a blending agent. You'll wan to be careful about placing glaze too close to the bottom of your piece - in addition to stilting you may want to put a tile or a piece of scrap bisque beneath the piece to prevent glaze from running onto your kiln shelves.
Q: What are some of the ways I can use Crystal glazes in my design work?
A: Simply apply the crystalites in the pattern and apply as the above directions stated. Several rings of the Crystalites placed in varied patterns are also attractive. Interesting patterns may be obtained by placing several rings of crystals in a necklace-like placement around the piece. The glaze may need to be strained in order to separate the crystals for this procedure. The crystals are then applied using a brush or small spoon in a linear necklace-like ring around the piece. This can be several rings in sequential order or in a zigzag pattern to produce the most pleasing effect.
Q: Your label states that Crystalites⢠and Jungle Gemsâ¢are "Food Safe", yet you also include the statement "May not be suitable for food surfaces due to surface characteristics"?
A: Food Safety is determined by standards established by the Food and Drug Administration (FDA). ASTM method C-738 and C-927-80 are "leach tests"; the tests involve measuring the chemical composition of an acidic food before exposure to a glazed surface and the chemical composition after a several days. If the levels of glaze materials found in the food are below the established limits, the glaze can be marketed as "Food Safe." Glazes that create dimensional surfaces also create crevices and nooks that can trap food - even after washing. This food can develop bacterial growth and cause health issues. Our policy is to discourage the use of textural glazes on ware that is intended for food usage even though the glaze has met all food safety criteria.
Q: Can I mix leftover crystals into other glazes?
A: Yes. Foundations® Sheers would be a good choice as these glazes will allow the crystals to expand much like the base glaze of Crystalites⢠and Jungle Gemsâ¢.
Ladybug - 4oz Mayco Jungle Gem Crystal Glaze
CG-984 Ladybug (4 ounce) Jungle Gem Crystal Glaze by Mayco Colors
Drama! Excitement!
These beautiful glazes transform in the kiln when small pieces of glass burst into color and intricate pattern during the firing process. Use alone for stunning effects, in glaze combination blending with Stroke & Coats®, Foundations® or Cobblestones or simply as an accent to your design.
General Use
Crystal glazes were designed to mature at cone 06/05. Apply to shelf cone 04 bisque. Shake jar well and stir during the application process. Apply 3 coats with a fan brush, allowing to dry between coats. Avoid placing crystals towards bottom of ware to keep them from flowing onto the kiln shelf during firing. Crystal Glazes can be fired to higher temperatures. Review individual color label for cone 6 firing results. The crystals in the glaze will melt when fired, which may create a textured surface. As that surface may be difficult to properly clean if in contact with food, we recommend crystal glazes to be used on decorative ware. Jungle Gems ⢠and Crystalites ⢠glazes are certified AP nontoxic, with the exception of CG 707 Woodland Fantasy and CG 713 Peacock Green which require a caution label, CL, due to soluble copper. Please refer to label for specific information
Helpful Hints
- Left-over crystals? Just add a complimentary Foundations® glaze.
- May use a complimentary Foundations® as a base glaze in order to make your crystals go further.
- We recommend a soft fan brush, such as CB-604 #4 or CB-618 #8 Soft Fan, for glaze application.
- Stir frequently as crystals tend to settle in the jar due to their weight.
- Store upside down with lid on securely to allow easy mixing and even dispersion of crystals.
- As crystals tend to flow at higher temperatures, we recommend limiting number of crystals on bottom third of vertical piece to avoid glaze running onto kiln shelf.
- Re-distribution of crystals may be required during the final coat. Where you see the crystal is where you will see it bloom.
Application Recommendations
The following application recommendations are based upon the original product development intent and use for the product. Information on alternative application methods is listed in the section "Usage Variations and FAQ's".
- Shake well prior to each application coat. The reason for this recommendation is that the crystals will settle to the bottom of the jar in a short period of time. If you notice the crystals settling during an application you can either dip your brush to the bottom of the jar to re-dispense or attach the lid and shake vigorously.
- During the application of the third coat of glaze you may find it necessary to re-distribute crystals, or add crystals, on your piece to assure balanced coverage. Use your brush to push crystals onto thinly covered areas or dip your brush into the jar and gather crystals onto it, then "pat" them on the sparsely covered areas.
- We recommend a broad, soft brush, such as a CB-604 #4 or CB-618 #8 Soft Fan Brush, to apply crystal glazes. The fan brush may help more in the even disbursement of the crystals, thus creating a more pleasing pattern in the fired glaze.
- Crystalites⢠and Jungle Gems⢠were designed to fire to cone 06. Higher temperature firings will change the colors from cone 06 results and movement and flow WILL increase.
Usage Variations & FAQs
Q: What advice to do have for firing Crystal glazes at higher temperatures?
A: Crystal glazes, already prone to move, will move that much more at higher temperatures. The crystals will lose some of their definition and act more as a blending agent. You'll wan to be careful about placing glaze too close to the bottom of your piece - in addition to stilting you may want to put a tile or a piece of scrap bisque beneath the piece to prevent glaze from running onto your kiln shelves.
Q: What are some of the ways I can use Crystal glazes in my design work?
A: Simply apply the crystalites in the pattern and apply as the above directions stated. Several rings of the Crystalites placed in varied patterns are also attractive. Interesting patterns may be obtained by placing several rings of crystals in a necklace-like placement around the piece. The glaze may need to be strained in order to separate the crystals for this procedure. The crystals are then applied using a brush or small spoon in a linear necklace-like ring around the piece. This can be several rings in sequential order or in a zigzag pattern to produce the most pleasing effect.
Q: Your label states that Crystalites⢠and Jungle Gemsâ¢are "Food Safe", yet you also include the statement "May not be suitable for food surfaces due to surface characteristics"?
A: Food Safety is determined by standards established by the Food and Drug Administration (FDA). ASTM method C-738 and C-927-80 are "leach tests"; the tests involve measuring the chemical composition of an acidic food before exposure to a glazed surface and the chemical composition after a several days. If the levels of glaze materials found in the food are below the established limits, the glaze can be marketed as "Food Safe." Glazes that create dimensional surfaces also create crevices and nooks that can trap food - even after washing. This food can develop bacterial growth and cause health issues. Our policy is to discourage the use of textural glazes on ware that is intended for food usage even though the glaze has met all food safety criteria.
Q: Can I mix leftover crystals into other glazes?
A: Yes. Foundations® Sheers would be a good choice as these glazes will allow the crystals to expand much like the base glaze of Crystalites⢠and Jungle Gemsâ¢.